On Saturday, we were to have lunch with Shelley - for real this time. But the morning was spent, at least in part, corresponding with Guillermo, one of our co-hosts, about the lack of an iron in the flat.
In one cupboard, we found an ironing board, a can of spray starch and a spritzer of Fabreze, but no iron. Guillermo suggested various other places to look - we'd already searched high and low - but no iron could be found. In the end, he said he would lend us his. I asked if it was his only iron, because we'd need one off and on for the rest of our stay. No problem, he said, he never used his anyway. Yes, but does your wife? In any case, it was arranged that he would drop it off sometime that afternoon.
In the meantime, we'd settled on an agenda with Shelley. We would call for her at noon and go walkabout in Carmén, looking for a lunch restaurant she remembered from last year - or failing that, one Karen remembered. We got bikes from the station about two blocks from the flat, where our street meets Queen of Valencia Avenue. We were able to ride most of the way, right through the centre of town, on separated bike lanes - it's such a great city for cycling - and got to Shelley's pretty close to noon.
Both the restaurants in question were supposedly at or near Plaça del Tossal, a five- or ten-minute walk from Ms. Boyes' place. Shelley's choice was right on the square, but did not have a menu del dia - a fixed-price, multi-course lunch menu - which was our first requirement, and appeared to be serving only brunchy things. Karen's restaurant - which I think is actually one she remembers from a few years ago that we had already discovered was out of business - was not where it should have been given the address Karen had. What next?
Street art spotted in Carmén |
Plaça del Carme |
More street art in Carmén |
Torres de Serranos |
Torre del Quart |
We came up at this point because we wanted to take Shelley to the Museum of the Rocas. The rocas are big decorated carriages - or rocks, so named because they're huge and solid - that are dragged through the streets at the Feast of Corpus Christi, the Christian celebration of the eucharist that takes place in June. It's a big deal in Valencia and has been for hundreds of years. There are parades and theatrical presentations, people in fancy dress, etc. Some of the rocas still used date from the 1500s.
Rocas museum - mythological turtle monster |
Rocas museum - gigante |
Miracle woman on street of the miracle |
Elegant street near the centre |
Plaza de Virgen (basilica on left, cathedral on right) in late sun |
On Sunday, I went out in the morning, thinking to do a little grocery shopping. Karen said she was sure the supermarkets would be closed, and she was right. I did find a little fruiterer run by south Asians that was open, and bought a couple of oranges.
We had lunch/dinner on the lower terrace at about 2:30 - leftover pork medallions and fried potatoes from Karen's restaurant meal of the day before, plus salad and veg - then sat on the upper terrace for awhile, reading in the sun. It was surprisingly hot given the temperature was supposedly only about 18C. It's quite protected up there.
A little before 4, we headed out to IVAM, the Modern Art Museum of Valencia. There's an exhibit of work by Jean Dubuffet, a French artist of the first half of the 20th century. We rode bikes along the paths beside the inner ring road to get there - probably about 20 or 25 minutes. The exhibit was, as always at this place, well mounted, but the explanatory material - except for a brief blurb in the IVAM brochure - was in Spanish and Valecian only, no English. And we didn't like the art much. He sounds like he was an interesting guy, but he embraced what he called art brut, which to my eyes, for the most part, was just ugly and primitive. We looked at everything - it's a big exhibit - but didn't dawdle.
Jean Dubuffet's art brut - raw indeed |
Carmén: wall mural depicting Jane Jacobs...with a snow globe? with a Toronto streetscape? |
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